← ArchivePaper2020
Complementary Dynamics
Jiayi Eris Zhang, Seungbae Bang, David I. W. Levin, Alec Jacobson
Enriches rig animations with elastodynamic secondary motion in the subspace orthogonal to rig displacements.
Abstract
We present a novel approach to enrich arbitrary rig animations with elastodynamic secondary effects. Unlike previous methods which pit rig displacements and physical forces as adversaries against each other, we advocate that physics should complement artists' intentions. We propose optimizing for elastodynamic displacements in the subspace orthogonal to displacements that can be created by the rig. This ensures that the additional dynamic motions do not undo the rig animation. The complementary space is high-dimensional, algebraically constructed without manual oversight, and capable of rich high-frequency dynamics. Unlike prior tracking methods, we do not require extra painted weights, segmentation into fixed and free regions or tracking clusters. Our method is agnostic to the physical model and plugs into non-linear FEM simulations, geometric as-rigid-as-possible energies, or mass-spring models. Our method does not require a particular type of rig and adds secondary effects to skeletal animations, cage-based deformations, wire deformers, motion capture data, and rigid-body simulations.
How to read this
- Category
- Method: a secondary-dynamics simulation technique
- Contributions
- Adds elastodynamic secondary motion by optimizing displacements in the subspace orthogonal to those the rig can produce, so dynamics never undo the rig
- Constructs this high-dimensional complementary space algebraically without manual weights, segmentation, or tracking clusters
- Works model-agnostically with nonlinear FEM, as-rigid-as-possible energies, or mass-spring models, and across skeletal, cage, wire, mocap, and rigid-body rigs
- Context
- Reframes rig-aware physics, succeeding tracking-style approaches like Hahn et al.'s 'Rig-Space Physics', by making physics complement rather than compete with the artist's rig.Builds on: Rig-Space Physics
- Correctness
- Key assumption is that artist intent lives entirely in the rig subspace so dynamics should be confined to its orthogonal complement; broadly demonstrated across rig and physics-model types, though the result is only as expressive as the chosen rig parameterization and physical energy.
- Clarity
- Conceptually clean but mathematically dense; a first pass conveys the orthogonal-subspace idea, a second pass is needed for the constraint formulation.
- How to read it
- Focus on the orthogonal-complement construction and the 'complement, not compete' framing; a second pass into the optimization is worthwhile if you implement secondary dynamics.
Builds on
- Rig-Space Physics 2012
Built upon by
Related work
- Rig-Space Physics 2012 / SIGGRAPH
- Data-Driven Physics for Human Soft Tissue Animation 2017 / SIGGRAPH
- Pose-Space Subspace Dynamics 2016 / SIGGRAPH
- SkinMixer: Blending 3D Animated Models 2022 / SIGGRAPH Asia
Keywords
This page summarises the entry and links to its original source. The archive never hosts or redistributes the publication itself.Show it in the full archive list →