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Facial Performance Synthesis using Deformation-Driven Polynomial Displacement Maps

Wan-Chun Ma, Andrew Jones, Jen-Yuan Chiang, Tim Hawkins, Sune Frederiksen, Pieter Peers, Marko Vukovic, Ming Ouhyoung, Paul Debevec

SIGGRAPH AsiaAcademic161 cites1 descendantFacial

Learns polynomial maps from mocap markers to high-res face geometry for wrinkle and pore detail synthesis.

Abstract

The paper presents a method for modeling and synthesizing realistic facial deformations using polynomial displacement maps (PDMs) that encode the relationship between sparse motion capture markers and high-resolution facial geometry. A real-time 3D scanning system captures facial performances at wrinkle and pore detail levels. The deformation-driven PDMs represent medium-scale and fine-scale facial displacements as functions of motion capture marker positions, enabling synthesis of novel performances with realistic wrinkles and skin detail. The approach is demonstrated on multiple subjects and expressions, showing the ability to generate detailed facial geometry from coarse motion capture data.

How to read this

Category
Method: data-driven facial detail synthesis
Contributions
  • Polynomial displacement maps (PDMs) that encode the mapping from sparse motion-capture markers to high-resolution face geometry
  • A real-time 3D scanning setup that captures facial performance down to wrinkle and pore detail
  • Synthesis of novel performances with realistic medium- and fine-scale skin detail from coarse marker input
Context
Builds on high-resolution facial capture in the lineage of Acquiring the Reflectance Field of a Human Face (Debevec et al.), turning captured detail into a learned marker-to-geometry deformation model.Builds on: Acquiring the Reflectance Field of a Human Face
Correctness
Demonstrated on multiple subjects and expressions, generating detailed geometry from coarse markers; readers should note the polynomial map is fit per-subject from captured data, so extrapolation beyond the captured expression range and transfer across subjects are limitations.
Clarity
Accessible; a first pass conveys the marker-driven detail idea, a second pass clarifies the polynomial map fitting.
How to read it
Focus on how marker motion parameterizes the displacement maps and the multi-scale (medium and fine) split; a second pass on the PDM fitting pays off if you want to reproduce wrinkle synthesis.

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